Year: 1975
Director: Bryan Forbes
Writer: Ira Levin, William Goldman
Genre: Thriller
I went into The Stepford Wives with little interest or knowledge of the film. I knew that there was something wrong with the Stepford women, of course, but that's all. Beyond that I've managed to avoid most analysis or spoilers of the story all this time.
Basically the story starts off with a husband and wife who are moving to the small, kindly town Stepford. It seems like a real taste of the country when they speak to neighbors who seem completely radiant, polite, and proper. Joanna quickly makes friends with a couple of the women but finds the others are wholly impenetrable. All they seem to want to talk about is housework or other simple things.
Joanna and her newfound friend Bobbie attempt to start a consciousness raising group because there is obviously something a little dated about the women inhabitants. From there, things slowly become more chilling and weirder. The story is wound tight and as it continues you can almost taste the tension getting tighter and tighter until it finally snaps.
I absolutely adored this movie. It isn't technically horror but it honestly might as well be for anyone sitting down and watching it today. While we have come pretty far thanks to the feminists movements of the past The Stepford Wives is still insanely pertinent. While the "truth" behind the story may be goofball, it certainly doesn't diminish the point of the film (although it does diffuse a lot of the tension of the climax). There's something about Ira Levin that I really appreciate. He might not have a knack for believable endings, but he seems to really have an interest in women and the world and rights they have.
Definitely check this one out. Now I need to hurry up and read the book so I can see if that's even more enthralling than this brief film affair.
Showing posts with label William Goldman. Show all posts
Showing posts with label William Goldman. Show all posts
Monday, December 19, 2011
Monday, October 17, 2011
Misery
Year: 1990
Director: Rob Reiner
Writer: Stephen King, William Goldman
Genre: Thriller
First things first I went into this movie without ever reading the original Stephen King work. I'd like to at some point, but basically I've seen every King item before ever attempting to read it. Anyway, so here's Misery which I believe was a hit when it came out.
The story is based around a successful author who has been writing a series of novels. He'd like to finally break away from the series though so in his latest book he kills off the main character (it is not yet published he has just written the draft). As he drives on a snowy road back from his writing retreat, he loses control and crashes off the road. Someone finds him and nurses him back to her house to continue to care for him. This woman happens to only be his biggest fan. But unlike when most people say it, she is truly devoted to the series and its characters.
If you know nothing about Misery then it's probably best you continue to know nothing about it because then the movie can lull you in. You feel like there is something very sweet going on between the author and his caretaker. She is a little awkward, but there's nothing wrong with that. All she wants to do is care for her idol and she's doing an amazing job at it.
Obviously, things can't stay all rosy for this story sprang from the mind of King. The spiraling down to worse and worse moods and conditions is pitch perfect. I wouldn't have sped up or slowed down the progression of anything. It seems perfect. The movie was quite enjoyable and I'm glad to see it was able to become a movie so readily. It seems normally a story focused on two characters alone in a house would be hard to keep interesting.
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